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An avant-garde performance with the Behringer Poly D analog synth. This one is all over the place using Poly mode at times and mono mode at other times. The oscillator modulation was enabled (something I rarely use) and frequent blending between OSC 4 modulation and LFO modulation. There's even a spot where it I used the noise source to modulate the oscillators with a result that sounded a bit like thunder. In all, it was a successful experiment to show off some of the Poly D's sonic capability.

Note: the bird-like sounds at the end were created with the EHX Oceans 12 reverb pedal using the "shimmer" setting.

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from That Day at the Lighthouse, track released February 12, 2023
Analog Synth: Joseph R. Ellis
©2023 Solid Body Publishing / ascap

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Joseph R. Ellis Rockwell, North Carolina

Joe is a self-taught instrumental guitarist who mostly enjoys writing and recording original guitar compositions.

Joe has been playing guitar since he was 14, but only picked up a bass for the first time on May 29, 2014.

By day, Joe makes a living as a Software Engineer in the hobby industry. ... more

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